A companion film to Quadeca’s third studio album ‘I Didn't Mean to Haunt You’.

一所女子学校的老师被怀疑是凶手。这是1972年电影《你对索兰奇做了什么？》的翻拍版。

A teacher at an all-girls school is suspected of being a murderer. A remake of the 1972 film, 'What Have You Done to Solange?'

剧照这边看http://www.douban.com/photos/album/32627303/

Goo Jae-hee lives in the United States and one day sees a track and field competition on TV, and becomes attracted to one of the high jump competitors, Kang Tae-joon. She begins to idolize the young athlete and eventually transfers to Korea to attend the same school that Tae-joon attends after he suffers an accident that could potentially end his career. There is a catch, however: Tae-joon attends an all-boys high school and Jae-hee must disguise herself as a boy to enter.

Sam Ashley, a graduate of 1965 class of Bret Harte High School, who was now a teacher at the school, served as the narrator describing what had happened to his fellow graduates in the decade since they had graduated.

In this dark comedy about empathy and unspoken vanity, a woman is forced to face the lack of her attraction to her husband when he returns from war without lips.

Soon after entering a course called "The Psychology of Dream Analysis," Lillian discovers she has been having another person's dreams all her life.

In this extraordinary six-part series, film historian and critic Noel Burch uses clips of rare archival silent film treasures to take us on a riveting journey of discovery. How did silent film reach such incredible heights in a mere 30 years? Why did film in the United States so quickly become such a popular art form? 　　In the first program, Along the Great Divide: Great Britain 1900-1912, Burch examines early British classics like Rescued by Rover and other, rare films by Cecil Hepworth, Stuart Kinder, James Williamson, R.W. Paul and others to look at how the British "gentlemen inventors of the cinema" created entertainment for the poor. 　　The second part, Tomorrow the World: USA 1902-1914, looks at early film in America against the background of the immigrant masses streaming into the factories, slums and sweat-ships of early 20th century America. Films by Porter, Griffith, Reginald Baker, George Dobson, Stuart Blackton and others show how early American film invented social content and then dropped it for the development of narrative. 　　In the third program, She! Denmark 1902-1914, Burch looks at the incredible explosion of filmmaking in Denmark where mature cinema was born at a time when French and American films were simple melodramas. The earliest Danish film stars - Asta Nielsen and Urban Gad - played in remarkable films which were innovative in the technical aspects of lighting, camera angles and editing. 　　The fourth program, The Enemy Below: France 1904-1912 covers the early love affair between the cinema and the French working class through early Pathe and Gaumont productions, and rare films of Leonce Petter, Louis Feuilliade, (including his celebrated serials Les Vampires, Judex and Vendemaire) and Jacques Feyder's Crainquebille. 　　Post-Revolutionary Russia was a period of extraordinary social and cultural experiment, and in the fifth program of this landmark series about the early years of the cinema, Noel Burch focuses on the sexual politics of the Soviet cinema. The program, Born Yesterday: USSR 1926-1930 includes obscure films like The House on Trubnaya Square by Boris Barnet, Ermler's Katka's Apples and Remnants of an Empire, Vertov's Kino-Eye and Kozintsev and Trauberg's The Devil Wheel in a unique look at a great era of cinema in a climate of virulent change. 　　In Under Two Flags: Germany 1926-1932, Burch discusses the German silent cinema, including landmark German films like Billy Wilder, Robert Siodmak and Edgar Ulmer's People on Sunday, Brecht and Dudow's Kuhle Wampe and Jutzi's Berlin Alexanderplatz. These films were part of the "populist" cinema of the Weimer Republic, the German Worker's Film. Ironically, these films were ultimately replaced by the more palatable and cheerful films of Siodmak and Wilder, and the victory of Nazism.